Most of my psychological suspense novels - including my latest, IN THE DARK - are based in the city of Duluth, Minnesota, on the shore of Lake Superior. The first question I usually get from readers is, "Why Duluth?"
Don’t worry, I get that question from readers in Duluth, too!
The answer is that Duluth is a city of extremes, and I think extremes enrich the drama of suspense novels. When I see reviews that talk about the sense of place in my books, I know I’m doing my job. Duluth has a rich set of extreme elements based on its location. It sits by the brooding great lake, and if you look at a map, you’ll see that the point of Lake Superior looks like a knife driving into the city’s heart. It’s at the border of the northern wilderness, where miles and miles of forest land stretch northward into Canada. It’s a terraced city, with crazy-steep San Francisco-style streets that feel out of place in the otherwise flat lands of the Upper Midwest.
And that’s before you talk about the weather. Yeah, it gets a little cold in Duluth. Thirty below cold. When I was doing research for my third novel, STALKED, I spent the month of January in a little cabin on the shore of Lake Superior, in order to add authenticity to the setting. So if you read the book and feel as if you’re really standing out in the middle of a blizzard, with ice balls hanging from your eyelids, that’s because I was standing out on the beach in a winter storm, recording impressions into my voice recorder. My wife thinks I’m nuts - but that’s nothing new!
So Duluth itself contributes to the drama of my books with its essential character. As Lieutenant Stride reflects: "Duluth was a city of struggle, of faded glory, of the new always colored by the old. It was small enough that you could wrap your arms around it and big enough that you could never quite hold it in your grasp. It was bitter cold, primitive, and intimidating, like an outpost on the border of the frontier."
There’s a romance to places like Duluth. Overseas readers of my books talk about Duluth the way Americans talk about places like Scotland and Ireland. They enjoy immersing themselves in stories set in those beautiful, isolated places - although they may not want to live there.
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